Les Femmes Fatales (1933) by Gerda Wegener Style:Unframed the composition plays with perspective

the composition plays with perspective

Painted when Tuke was still a young artist

joy and chosen family

Stonewall Inn Silhouette by RECOGNITION abstracts a landmark of queer history into layered shapes and cool electric blues

gym trips… or whatever else you might need it for

Les Femmes Fatales (1933) by Gerda Wegener Style:Unframed the composition plays with perspectiveLes Femmes Fatales (1933) by Gerda Wegener is deliciously dangerous: three glossy, femme coded icons drifting through a heat haze backdrop of Marrakech. Painted after the death of her muse and wife, Lili Elbe, the scene reads like a love letter to feminine performance and power, with a little side eye for anyone who thinks its just glamour. Butterflies, fans, pearls, painted lips, soft shoulders, sharp intent. A vintage fantasy with a modern truth: