Blue Print for a Spirit House Virtue Triumphs (When the Devil Sleeps) I Exciting experiences are validated by

Exciting experiences are validated by the same risks which render them exciting

to introduce hidden structural grids

I have an increased understanding of the interplay of the properties of color texture and form

although African ancestral imagery predominated

Odundo’s artworks are redolent of the human body in a way that reminds the viewer strongly of the inherent connections between the simple vessel form and the concept of the body as a vessel…The universality of her formal language has been deepened by her formal references to classical forms from ancient cultures all over the world

Blue Print for a Spirit House Virtue Triumphs (When the Devil Sleeps) I Exciting experiences are validated byFrom the Artist I really began by learning to draw (self taught) as a teenager. I learned to paint in my 20s with some classes at Northwestern University, while getting my degree in political science. Living in New York City in the mid 80s introduced me to found objects discarded on the street, which became sculpture in my studio. After I received my MFA in sculpture from SUNY Albany in 1988, I started drawing people and then painting landscapes. In