SYRACUSE, 1981
Bruce Gilden shaw I knew that I wanted

I knew that I wanted it to be entirely graphical

We experimented with various types of light

Confronting the inherent contradictions to the use of documentary photography

My first visited in Luxembourg was January 1999

A theatrical property

SYRACUSE, 1981<br />Bruce Gilden shaw I knew that I wantedLooking through my Syracuse work is a walk down memory lane. I was 34 in 1981 when Jeffrey Hoone the director of Light Work invited me to Syracuse for a month long artist residency. The Light Work residency enables a photographer to shoot, develop, and print film, and, since I have never been very good at either developing or printing, I focused exclusively on photographing. It was an exciting and important moment in my career as I was offered the