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Krems/Bremen/Zug gallerypublication Florian Steininger Language

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Krems/Bremen/Zug gallerypublication Florian Steininger LanguageMichael Kienzers works oscillate between site specific installation and autonomous sculpture. In the Minorite Church in Krems, he spanned oversized poles across the space; while in Zug, he entered into a dialogue between the architecture of the local art museum and Fritz Wotrubas Large Sculpture. In their play with gravity, statics, balance, and casualness, his sculptures are both fascinating and irritating and serve as documents of his rich

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Florian Steininger Language

an interview and an introduction to her work

Innsbruck (03

Arnulf Rainer presented his face painted with bold black lines to the public in 1967

“ Who doesn’t immediately think of Uma Thurman in „Kill Bill“

Krems/Bremen/Zug gallerypublication Florian Steininger LanguageMichael Kienzers works oscillate between site specific installation and autonomous sculpture. In the Minorite Church in Krems, he spanned oversized poles across the space; while in Zug, he entered into a dialogue between the architecture of the local art museum and Fritz Wotrubas Large Sculpture. In their play with gravity, statics, balance, and casualness, his sculptures are both fascinating and irritating and serve as documents of his rich

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