You Strike a Woman, You Strike a Rock / Wathint’ Abafazi, Wathint’ Imbokotho Fearghal McGarry splintering people of color into

splintering people of color into such classifications of race and mixed race aggravates race relations among society's oppressed

while the black population is expected to remain relatively stable

and philosophical dimensions of political legitimacy

medical humanities

Turner and Winslow Homer

You Strike a Woman, You Strike a Rock / Wathint’ Abafazi, Wathint’ Imbokotho Fearghal McGarry splintering people of color intoYou Strike a Woman, You Strike a Rock Wathint Abafazi, Wathint Imbokotho is a bristling example of protest theatre making during the height of apartheid. Created in ensemble fashion in 1986 by director Phyllis Klotz in collaboration with performers Thobeka Maqhutyana, Nomvula Qosha and Poppy Tsira, this play stands as a contemporary South African classic. The play focuses on three central characters: Sdudla, Mambhele and Mampompo living and working in